Jill Berelowitz

Sculptor

Jill’s Mind’s Eye Tree for the New Place Project

Sculpture, PressJill Berelowitz

Jill Berelowitz will be casting the leading piece in conjunction with The Morris Singer Foundry to be featured in the renovated garden at the New Place Project.

'As well as all the building work taking place on site of the New Place Project, we’re also working with some very important artists to create beautiful sculptures to feature in the renovated garden.  Our leading piece, The Mind’s Eye Tree, is being created by Jill Berelowitz, in conjunction with The Morris Singer Foundry.  Together they will be casting a hawthorn tree in bronze metal, as well as using branches found at our own Mary Arden’s Farm.' 

Source: http://www.shakespeareliveshere.co.uk

Moving Forward and Diving Girl | T5 Gallery and Terminal 5 Sofitel Luxury Hotel

Exhibition, SculptureJill Berelowitz

2015 Ongoing Group exhibition

Moving Forward and Diving Girl

Situated in Terminal 5 Heathrow Airport, the T5 Gallery is a unique cultural space within one of the world’s premier airports. As one of the few permanent commercial fine art galleries in the world to be situated in an airport, the T5 Gallery is in an ideal position to reach and introduce art to a wide international audience.

The gallery stages group shows along with an ongoing exhibition programme in association with the Terminal 5 Sofitel luxury hotel.

Meet the Artist Working on Sculpture for New Place

Interview, Press, SculptureJill Berelowitz

"As well as all the building work taking place on site of the New Place Project, we’re also working with some very important artists to create beautiful sculptures to feature in the renovated garden.

Our leading piece, The Mind’s Eye Tree, is being created by Jill Berelowitz, in conjunction with The Morris Singer Foundry.  Together they will be casting a hawthorn tree in bronze metal, as well as using branches found at our own Mary Arden’s Farm. 

The Morris Singer Foundry, which dates back to 1848 are well known for their casting work and are recognised as the oldest fine art foundry in the world. Jill has also designed and created many exciting and memorable sculptures for her previous commissions, including, ‘Diving Girl’, which was placed at entrance for the London 2012 Olympics, and also, the ‘Pair Oar’ rowers, which are permanently on display in Henley-On-Thames.

 

We recently spoke to the pair about their work and here is what was said:

You were one of the first artists we contacted to work on the project. What was your initial reaction to being asked to create a piece to feature in Shakespeare’s New Place?

Morris Singer are greatly honoured at being chosen as the foundry and Jill as the sculptor to be associated with the most recognised and iconic Englishman with worldwide recognition.

Jill, you have created Bronze Trees in previous works of art.  What is it that you find so intriguing about them?

Up until now I have used apple branches as my reference as it symbolises the beginning of time beginning with Adam and Eve which is a celebration of life.  As my trees emerge from the ground, they are symbolic as the Earth Mother and then culminates with dancing tree figures with outstretched arms celebrating life on the branches.

Bronze has always been my first choice of sculpture medium, as with trees, it comes from the earth and will be there for eternity.  It also improves a sculpture with its own persona.

Finally, the Morris Singer Art Foundry have a great tradition of working with metal, what do you think the foundries greatest artistic achievement is to date?

Morris Singer Foundry have created beautiful sculptures over the past 150 years worldwide including the fountains in Trafalgar Square, numerous sculptures by Frampton including Peter Pan, Eros, Henry Moore, Barbara Hepworth and recently Gandhi in Parliament Square by Philip Jackson.

We are extremely excited to be working with both Jill Berelowitz and the Morris Singer Foundry and can’t wait to see the final piece in place. "

Source: www.shakespeare.org 

Core Femme | Innovative sculpture unveiling at Charing Cross Hospital

SculptureJill Berelowitz

The Imperial College Healthcare NHS Trust is delighted to announce a new Jill Berelowitz 20 foot high sculpture is to be installed at the entrance of The River Wing of the Charing Cross Hospital.

The sculpture Core Femme is composed of female torsos in bone coloured resin represent stacked vertebrae in this soaring, spinal column and is a towering image of the body’s central element, exemplifying the core through which life’s energy flows.

Jill Berelowitz said: “I am delighted and very honoured to have Core Femme at such a prominent and prestigious location. Core Femme has found her rightful home”

Heathrow Welcomes A Post-Olympic Arrival | The Art Newspaper

PressJill Berelowitz

 

A sculpture from the London Olympics Village has found a temporary new home at Heathrow Airport’s Terminal 5. The Diving Girl, 2012, by the Johannesburg-born artist Jill Berelowitz will be splashing down in the terminal’s Expo Gallery tomorrow evening. Although the 3.5m-high bronze sculpture will be a permanent fixture at Heathrow “for the foreseeable future”, according to a spokeswoman, the work is also for sale, number three of nine editions, with a price tag of £35,000. The fate of other works created for the Games, including large-scale works by Marc Quinn and Damien Hirst, remains a mystery. Source: The Art Newspaper

‘Tree of Life’ at the Alon Zakaim Fine Art Gallery

ExhibitionJill Berelowitz

Jill’s ‘Tree of Life’ sculpture is now is now on display until 18th April at the Alon Zakaim Fine Art Gallery on Dover Street

The exhibition will run at 5-7 Dover St. London W1S 4LD from 12 March-18 April 2013. Entry is free, and gallery opening hours are 9am-6pm, Monday-Friday, or by appointment.

Jill Berelowitz Interview | Kensington & Chelsea Magazine

Interview, PressJill Berelowitz

Q&A with Jill Berelowitz about her current sculpture exhibition in Kensington

Q. Was sport the main inspiration for this new group of sculptures?
A. I’m inspired by movement and these now pieces do overlap with athletic movement as I was commissioned to create a Diving Girl for our Olympic Village.
Q. Some of your human figures have attenuated forms in the manner of the late Giacometti: did he influence your work?
A. My figures are inspired by nature, organic shapes and movement but not by Giacometti.
Q. Did your Olympic Village and Heathrow Terminal 5 exhibitions lead to international interest in your work?
A. Yes, international enquiries and new sales and commissions have been generated by those exhibitions and also by my giant spinal sculpture displayed in Cavendish Square, part of Westminster City Council’s festival City of Sculpture.
Q. What future plans do you have in mind for your sculpture?
A. The themes of the cycle of life and regeneration are evolving in my new sculpture and commissions, and I am working with interesting, varied media that include crystal, resin, bronze and stainless steel.